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Discovering Jewels From The Crawford Collection

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Loren Nicole at Work Bench creating handmade jewellery

Jun 14^th

Loren Nicole: The Ancient’s Defender

Jun 07^th

Lily Gabriella Fine Jewellery: Honouring a Gemstone

JEWELLERY STORIES

May 10^th

A Tale of Two Rings – Hemmerle vs. Tiffany & Co.

Apr 28^th

Tessa Packard Discussing Plastic Fantastic

Faberge's third egg cover photo

Apr 03^rd

Faberge’s Third Imperial Egg: A Unique History

May 10^th

A Tale of Two Rings – Hemmerle vs. Tiffany & Co.

Apr 28^th

Tessa Packard Discussing Plastic Fantastic

Faberge's third egg cover photo

Apr 03^rd

Faberge’s Third Imperial Egg: A Unique History

Mar 13^th

Cupid’s Crossfire With David Michael Jewels

Faberge Mosaic Egg Featured Image

Mar 04^th

Faberge Mosaic Egg

Mar 02^nd

The Cartier Mystery Clock

May 10^th

A Tale of Two Rings – Hemmerle vs. Tiffany & Co.

Apr 28^th

Tessa Packard Discussing Plastic Fantastic

Faberge's third egg cover photo

Apr 03^rd

Faberge’s Third Imperial Egg: A Unique History

Mar 13^th

Cupid’s Crossfire With David Michael Jewels

MEET THE FOUNDER OF PING PONG RING

MEET THE FOUNDER OF PING PONG RING

INSTAGRAM JOURNAL

[The “Bérénice” Necklace Part 3] In November

[The “Bérénice” Necklace Part 3] In November of 1928, the left hand emerald was removed from the necklace and given a simple diamond setting. This had not sold as of May of 1929, and would be integrated into a special order necklace (made of carved emerald leaves and ruby beads) as a removable pendant brooch.
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At the same time, the right hand emerald (weighing 153.40 carats) was removed, and turned into a brooch with its diamond chestnut leaves (pictured slide 2-4.) By March of 1930, this piece still had not sold, and would be remounted into a similar setting to that of the central emerald, however by 1938 this brooch had not sold at which time it was completely disassembled with no further record of the emerald in the Cartier archives.
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Meanwhile in April of 1930 two of the diamond leaves would go on to be made into a brooch which sold in August in 1930. The black enamel plaques, set with pearls and diamonds along with most of the remaining tassels were turned into a belt in November of 1928, sold on a special order. Finally the arrow heads which connected to the tassels were made into a belt buckle, later turned into two brooches in 1929, and the two remaining chestnut motifs were transformed into brooches, both sold in 1930.
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Images and information ℅ “Cartier 1900-1939” by Judy Rudoe.
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#jewelleryhistory #cartierjewellery #artdecojewellery #antiquejewellery #artdeconecklace

[The “Bérénice” Necklace Part 2] So what hap

[The “Bérénice” Necklace Part 2] So what happened to the magnificent “Bérénice” shoulder ornament after it was broken apart?
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In 1926, Cartier began the process of breaking up the necklace, and the first piece to be removed was the Taj Mahal Emerald - The Taj Mahal Emerald is the last surviving piece of the “Bérénice” necklace, weighing in at 141.13 carats. Initially, the emerald was kept with its two diamond flanks, Cartier later added one of the tassels to make a large “devant de corsage,” but this did not sell.
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It would then be reset in what’s described as a “bizarre diamond setting which encased the back, and was barely visible from the front.” The emerald would be sold in this form to Mr. Montague Stanley Napier - its later history being undocumented by Cartier. However, the emerald would re-appear in the mid-1980’s while being unmounted by Precious Stones Inc. and had reputedly come from a Maharajas collection, by then the emerald had received its name from its previous owners because of the stylized lotus and poppies with which it is carved are similar motifs to that of the Taj Mahal. More recently the Taj Mahal emerald was sold at Christie’s NY in 2019 for 1.815 Million USD.
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Check back later for part 3 on what happened to the remaining emeralds and pieces of the “Bérénice” shoulder ornament!
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#jewelleryhistory #cartierjewellery #artdecojewellery #antiquejewellery #artdeconecklace

[The “Bérénice” Necklace Part 1] The “Bér

[The “Bérénice” Necklace Part 1] The “Bérénice” was conceptualized in the mid 1920’s as the central showpiece for the 1925 Paris Exhibition. Executed in Platinum, it was set with rich black enamel, pearls, onyx beads, and finally three very important Mughal emeralds.
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The “shoulder ornament” was considered an outlandish design, and extremely forward thinking for its lack of a traditional closure. This jewel rejected the status quo, and was designed to be worn draped over the shoulders, its weight securing itself on the wearer.
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The Cartier’s had a special mannequin constructed for the Exhibition, set in-front of a mirror to cleverly display its secret. The mannequin also wore a diadem and large brooch, both set with diamonds, emeralds, and pearls. This eye-catching display inspired the colour illustration (slide 3) which was published in a special edition of the Gazette du Con Ton. The sketch was given the title, “Bérénice” which has since been applied to both the necklace and diadem. While the diadem’s design can be attributed to Henri Chenaud, who joined Cartier firm in 1908 as a specialist in Tiara’s, it’s unknown whether he also had a hand in creating the shoulder ornament.
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This piece is a fine example of Cartier’s use of exception Indian Mughal emeralds during the Art Deco era - many of which were impressive in their own standing. The necklace would go unsold during the Exhibition, and would be broken up in 1926 - likely due to its forward thinking design, and high price.
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So, what happened to those three incredible Mughal emeralds? Check back on tomorrows post to find out!
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Images and information ℅ “Cartier 1900-1939” by Judy Rudoe.
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#jewelleryhistory #cartierjewellery #artdecojewellery #antiquejewellery #artdeconecklace

[Live! With @bonhamsjewels - Tuesday, October 5th]

[Live! With @bonhamsjewels - Tuesday, October 5th] I invite you to join Director of Bonhams Jewellery Los Angeles, Emily Waterfall (@waterfallatauction,) and I, as we explore treasures from their upcoming “Wearable Art” sale - jewels from the Crawford collection, which will be going under the hammer on October 12.
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We will be live Tuesday October 5th (times below) to have an exclusive preview of some of the most sought after Art Jewellery in the world. Artists such as Pablo Picasso, Art Smith, Betty Cooke, and Charles Loloma, will be on discussion as we explore not only the beauty of these pieces, but also how they influenced jewellery design throughout the 20th century.
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Preview the sale by following the link in my bio, we’re looking forward to seeing you there! Here are the times:
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Toronto & New York: 15:00
Los Angeles: 12:00
London (UK) 20:00
Paris & Brussels: 21:00
Dubai: 23:00
Sydney: 06:00 (October 6th)
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Featured: Lot No. 314
“Grand Faune Pendant”
Pablo Picasso
$US 60,000-100,000
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#jewellery #instagramlive #jewellerychat #jewellerypreview #vintagejewellery #jewellerydesign #pablopicasso #artjewellery

Next up in my @bonhamsjewels “Wearable Art” sa

Next up in my @bonhamsjewels “Wearable Art” sale favourites is an exceptional, and important, pair of cuffs crafted in copper and brass created by Art Smith circa 1945!
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I would highly recommend reading @levi_higgs essay about Art Smith printed in the the Bonahms catalog (link in bio!) It gives an excellent background on Smith, his life in Greenwich Village and Harlem, and background on several of the pieces included in the upcoming sale (including these cuffs.)
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Left: Modernist Cuff by Art Smith
Brass and Copper, Circa 1945
$US 8,000-12,000
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Right: Lava Cuff by Art Smith
Brass and Copper, Circa 1945
$US 8,000-12,000
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@bonhamsjewels Wearable Art Sale
October 12, 2021
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#jewellery #vintagejewellery #modernistjewellery #artsmith #artjewellery #modernjewellery #jewellerydeisgn #importantjewellery

I think my next favourite lot(s) from the upcoming

I think my next favourite lot(s) from the upcoming @bonhamsjewels “Wearable Art” sale are these three rings by Betty Cooke.
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With a career spanning more than 70 years, Betty Cooke has become an icon within the modern jewellery community. Her piece have been show both nationally and internationally, and has been seen amongst other great modern masterpieces in the MOMA (Museum Of Modern Art) in New York and Hirshhorn Museum in Washington D.C.
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Cooke earned her BFA in 1946, and during her final year of studies she began to learn jewellery manufacturing as part of an internship. Cooke is widely deeply knowledgeable in the areas of art and design, but is mostly self trained. Her work is inspired by the Bauhaus and modernist movements. Her works are self described as, “sculpture in motion,” an ode to hear early aspirations to be a sculptor.
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Most of her work is completed in gold, with pearls and diamonds, making these pieces classically “Betty Cooke.”
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Lot No. 78 and 63
$US 600-800 and $US 300-500 Respectively
To be sold without reserve
Bonhams “Wearable Art” Sale
October 12, 2021
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#jewellery #artjewellery#bettycooke #pearlring #diamondring #bonhamsjewels #artistjewellery #vintagejewellery #jewelleryauction #20thcenturyjewellery #jewellerydesign

I remember seeing this cuff for the first time as

I remember seeing this cuff for the first time as I browsed the @bonhamsjewels “Wearable Art” sale catalog (link in bio,)and having chills run down my spine.
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This tall, squared cuff, transcends time and transports you to a gem glazed world with its masterful celestial scene of lapis, coral, turquoise, opal, malachite, alongside an array of other gem stones.
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The bangle was crafted by @jessemonongya, an award winning Navajo/Hopi jeweller based in Scottsdale, Arizona. To quote Monongya, “More than just jewellery, I create works of art that are both contemporary and spiritual.”
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It’s no secret that this is likely my favourite piece in the sale, and dream of one day adding a jewel like this by Monongya to my personal collection. 💙
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Lot No. 214
@bonhamsjewels “Wearable Art” Sale
October 12, 2021
Est. US$10,000-15,000
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#jewellery #jewellerydesign #artjewellery #navajojewelry #lapis #lapisjewelry #hopijewelry #cuffbracelet #braceletoftheday

I was so excited when @bonhamsjewels announced the

I was so excited when @bonhamsjewels announced their upcoming Art Jewellery sale happening on October 12th, this is a once in a lifetime opportunity to own a pieces of jewellery design history.
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These jewels come from the Crawford collection, and represent some of the finest examples of 20th century design. Jill Crawford said, “It has been my passion and pleasure to own and wear the jewelry in my collection. I have spent a lifetime searching for the greatest examples by the artist I admire. When I am wearing a great piece of jewelry, I feel connected to the artist, and I become part of the story a piece is telling. Jewelry is meant to be worn, and in the hands of a passionate collector it becomes transcendent.”
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The auction comprises of 314 lots from more than 30 masters, and represent both the breadth and depth of the Crawford’s collection. As you browse the catalog you’ll discover a spectacular collection of Art Smith jewels (including the incredible Lava Cuff from the cover of “Modernist
Jewelry 1930–1960”,) a broad selection of Native American Jewellers like Jesse Monongya and Charles Loloma to fine artists such as Picasso, Max Ernst and Jean Arp - just to name a few!
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This week I’ll be sharing with you my favourite pieces from the upcoming sale. Follow the link in my bio to discover the complete catalog of wearable art from @bonhamsjewels which will be on sals October 12th.
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#jewellery #artjewellery #bonhamsjewels #artistjewellery #vintagejewellery #jewelleryauction #20thcenturyjewellery #jewellerydesign

[My Portfolio - Link in Bio] I have some exciting

[My Portfolio - Link in Bio] I have some exciting news! A few weeks ago I left my full time job to further my career of freelance writing and photography! 🥳
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I’m so happy to be able to share this with everyone now and am looking forward to the coming collaborations in our future.
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If you are looking for photographer or a writer, I would love to hear about your project. You can get in touch with me via email or a DM, and view my portfolio of work by following the link in my bio. For now I’m based in Toronto, but am available to travel internationally.
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Thank you to everyone who has supported and encouraged me to pursue this, I couldn’t have done it without you ❤️
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#jewellery #jewellerywriter #jewelleryphotography #photography #jewellerylover #freelance #freelancephotographer #freelancewriter